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Section Five

Tuesday, December 10, 2013



This is the first section in which real difficulties may occur; much new material is introduced and sentence structures are further developed. Students may need considerably more help with translation, and it often happens that the pace of reading slows down both here and in the next chapter. Use the supplementary exercises to consolidate reliable recognition of vital stem changes, and to work back from the forms of verb in the text to the form given in the lexicon. Check vocabulary thoroughly; there are many new words here.
As Clouds is the only source for this adapted text, try to add some material from the original. Students should also be encouraged to read a translation.
With all the problems, try to keep the students cheerful; the grammar is constantly revised in Sections 8-11, and if students can get over this hurdle, the way ahead will be much easier.
p. 54 line
1              The opening sentence can be teased out: olo^upo^evo; was learnt in Section 4d and most of the rest can be deduced from the English introduction.
2              ircrco^av^: cf. hippopotamus, hippodrome; mania and the various maniac suffixes.
pa0£w<;: check that the part of speech is recognized. Cf. bathos, bathy-scope, bathysphere etc.
3              vnvo^: cf. hypnosis.
3               The first ten words are the first ten words of Clouds. It may be useful to have a copy of the original text open while reading all these sections: (a) to be aware of how close the text is to the original, and (b) to point out exact correspondences.
1                      8aKv€i xa xp£a: cf. xp^ara (l), then deduce the general sense of Saxvei (‘annoy, get on the nerves’ etc.). Then give the literal meaning ‘bite’ for future reference; the literal meaning occurs in Section 6A.
14                xp^oxai: the xpn- root again. (Illustrate the xpa-/xpn- root (= need) between xpao^ai, xpn, xp%a, xpn^ara, xpnarn; (see LSJ).)
Ask who is likely to be chasing him.
8iKnv la^pavouoiv: the Sik- stem has been met in aSixo; (p. 50.30), but it will need reinforcing. Put particular emphasis on the meaning of the Six- stem; it is very heavily used both here and in Section 9.
11               Translate x0e; = yesterday, and the past of ei^i falls into place.
From this point the imperfect begins to appear: it is useful to revise the present active and middle endings and put these on the board ready for comparison with the imperfect endings.
Set up a comparative grid, revise and fill in the forms of navra, then fill in the imperfect as it occurs. It is probably best to leave contractions till a little later since the augment preceded by prefix and new endings will demand much close attention.

Pres. act.
Imperf. act.
Pres. mid.
Imperf. mid.
1
nav®
snauov
navopai
enauopnv
2
naueiq
snaueq
navn
enavou
3
navei
snaue
naveTai
enaveTo

etc.
etc.
etc.
etc.
Stress the different endings for present and imperfect middles.

-pai
Imperf. -pnv
-aai
-ao
-Tai
-to
-pe0a
-pe0a
-a0e
-a0e
-ovTai
-vto

Note: In the second person singular, intervocalic -a- disappears and contraction takes place:
-e(a)ai ^ n -e(a)o ^ ou
With augments, highlight four points during the reading: (a) the addition of e -, (b) the lengthening of initial vowels, (c) the occasional lengthening of initial e- to ei-,
(d)    the augment nearly always replacing the final vowel of a prefix, e.g. SieAiyeTo. p. 54 line
17 5A^v t^v vvKTa: cf. hologram, holocaust.
17-18 €Ka0€u8ov, £8foKov: check the formation and ask for the corresponding rcaura form; do the same with other imperfects as they occur.
There is no need to mention the accusative of duration; it will be explained in Section 9a-e.
17                6v€iporcoA€i: use this to explain the lengthening of an initial short vowel to act as the augment, and cf. a ^ ^ (^Koue, line 25), and e ^ ^.
aiTio^: cf. aetiology.
18                8i€A£y€To: ask the students to explain the placing of the augment and develop the rule.
26                K€^aA^v: there are many medical derivations: encephalograph, encephalitis, hydrocephalitis, and the subdivisions dolichocephalic and brachycephalic accord­ing to the ‘cephalic index’.
The fact that Strepsiades was responsible for all his son’s debts underlies the responsibility of the father in the Greek family (Was Pheidippides a minor? There is no indication of his age). Judging from some of the sums quoted in Clouds, Strepsiades was certainly not impoverished - the family owned several horses, and his wife clearly came from a fairly wealthy family.
27                Quote in translation from the original Aristophanes text (Clouds lines 60-7) the quarrel about the name of the son. Strepsiades wanted his father’s name,
Pheidon, but his wife insisted on inserting a horse somewhere, hence Pheidippides.
28                ya^ou^: cf. monogamy, bigamy, polygamy.
29                 aypoiKo^: deduce the meaning from the ayp- element (agriculture etc.), then the contrast with aaTerac; should give the meaning of the latter. Read the story of the wedding night (Clouds 49-52) to point the contrast. For the over­tones of city life as against life in the country cf. urbane, polite (v. rustic, provincial) in English.
Note that the second person singular and the first and second persons plural of the imperfect active do not occur; they can be supplied by comparison with the present verb endings. For the middle, the first and second persons singular and the second person plural do not occur; the second person plural can be taken from the present middle but the other two should be given.


Section Five B

Background
Olives 2.10-1, 17; 5.51-2; 7.7 Slaves 5.61-6; 5.7; and war 5.7; 1.75 Arguments as means to ends 8.17-18 Learning rhetoric 8.19-21
p. 56 line
1                arcre W/vov: M%vov - refer to the picture; ame - ask what the time was and how you lit the lamp. Note also the difficulties caused by darkness. Even battles had to stop at night, as night manoeuvres could be chaotic (Plataia; Thucydides
ii.                           34; Syracuse, ibid., vii.44). Cf. the chaos in Peiraieus in Section 3.
4                Olives, the source of oil for lamps, were scarce during the war because of the annual Spartan invasions.
5                K^aie: ask for suggestions; make sure the accurate literal translation is known before idiomatic versions are approved. The verb recurs later (Text p. 186.3, derivative).
6-7 Why does war prevent the punishment of the slaves? The proximity of the Spartans during their annual invasions meant that slaves could easily desert to the enemy. What Strepsiades here laments is the fact that the war prevents him from treating his slaves as property for fear of their desertion. In his youth slaves were constrained through fear to remain loyal to their masters. This argument is not from Clouds.
5               apyow;: note the two elements: a- privative + epyov.
Use the supplementary exercise here. If more are needed, concentrate on working back from imperfects to the lexicon form, mixing in contract forms, e.g. enoiov^ev, adding a verb with a prefix (very important), e.g. arcexrapei;, then one which begins with a vowel and whose vowel lengthens to form the augment, e.g. ^nopei;. This is the moment to refer students to GE pp. 497-8. Again, virtually any learnt verb will do for these exercises (not, however, opara).
Section Five C-D
Future indicative active and middle Active/middle distinction Indefinite words IraKpaTnc/Tpvnpn; (nom., acc.)
This section introduces the future tense: avpiov (Text p. 58.5) should be given, then the tense becomes obvious. Elicit first the basic formation, leaving refinements (e.g. the lengthening of the stem-vowel in contracted verbs) until later, -ara futures are easy enough, but note (a) those sigmas combining with consonants (highlight y, k, X, + a ^ %; n(r), P, ^ + a ^ y; rr/aa + a ^ %; £/0 + a ^ a); (b) those which have middle forms (only axovao^ai (p. 58.17) in Section 5c, so these may be left until Section 5d when the basic pattern will be more familiar); and (c) (most difficult to spot) the -era futures, mainly for verbs with stems ending in l, ^, v, p and -i^ra.
Make up a grid comparing the present tense with the future; also revise present epsilon-contract verbs for comparison with the future epsilon-contracts, e.g.:
Pres. act.
Fut. act.
Pres.
mid.
Fut. mid.
E-
contract
e-contract
future
navra
navei;
etc.
navara
navaei;
etc.
navo^i
navfl
etc.
navao^i
navafl
etc.
noiffl
noiei;
etc.
Sia^0ep®
Sia^0epei;
etc.
(cf. present 8la^0e^pra 8la^0e^pel; etc.)

The play proper begins here. Set the scene first with a description of the Greek theatre - the large circular orchestra (= dancing place), a low stage reached by steps from the orchestra and a building behind with door(s), windows and a flat roof. The plays were performed in daylight, so no lighting effects were possible - a problem in this play which is supposed to open at night when it is too dark for Strepsiades to read. Note how this affects the writing, for the characters have to announce the fact that it is pitch-dark etc. (compare many similar devices in Shakespeare). How much scenery was incorporated is debatable: perhaps quote


R. S. Glen, Two Muses: ‘A modern audience at the Elijah of Mendelssohn does not think of the platform on which the performers stand as representing first Ahab’s court and then Mount Carmel.’ The parallel may not be exact, yet the point is still valid.


Section Five C

Commentary

p. 58 line

10 rafoopai: consonant combinations may be collated as they occur, or left to the end of Section 5c and given all together, referring back to examples.

2 Note the change of oath from Poseidon (the god of horses) to Dionysos.

12 Comment upon the change to the middle in aKovaopai only if students notice it.

Section Five D

Background
Socrates and sophists 5.44-8; 8.22-3
Intellectuals and methods of arguing 8.21 (especially analogy 8.10)
Importance of Aoyoc; 6.16; 8.18, 27 Education 5.37ff.
Importance of leisure 5.50
p. 60 line
1 Diminutives: these are ‘persuasive’, i.e. the speaker is trying to gain a favour from another.
2              yu/rav: cf. psychology, psychiatrist, psychotherapy etc.
oo^rav: cf. philosophy, sophomore. Note the high-flown style of the speech. Possibly Strepsiades is supposed to use tones of reverential awe, evoking an ironic response in the audience. As an ignorant man absurdly proud of the few half­digested facts he has acquired, Strepsiades is in some ways the prototype of Monsieur Jourdain in Moliere’s Le Bourgeois Gentilhomme; see especially Act
ii    scene 4 (Jourdain and the Professor of Philosophy).
9povTioT^piov: the meaning can be extracted from ^povTiZe + selected English ‘-ery’ words denoting a place of work (bakery, brewery etc.). All teachers will have their favourite translation: I rather favour ‘reflectory’ - cf. -erium in Latin, e.g. apodyterium (Greek ano, Sura, -npiov).
3               ^a0nTa^: the meaning should be elicited from the stem pa0- (learnt with pav0avra in Section 3c).
ovpavo^: Latin Uranus may help if students know him as the sky god. nviy£u^: refer to the picture. It was an oven heated by coals which were then removed to the outside and replaced by dough. Thus the point of the comparison is simply one of shape - any hemispherical object would do.
4               av0paK€^: cf. anthracite, anthrax.
5               The sophists were the educators of a leisured and wealthy elite. Socrates often insisted that he was not a sophist, and there is no evidence that he ever took any money for his conversations. A vivid and amusing encounter with some sophists occurs in Plato, Protagoras 315c-316a.
6                ^aO^oovTai: now that the regular pattern for future verbs is fixed, those with middle forms may be commented upon here. This form should present no prob­lems - the stem pa0- has been not only learnt but revised six lines earlier! Refer back to aKovaopai (p. 58.17).
7                      ^oyou^: another meaning here - explain some of the possibilities, e.g. argu­ment, story, an account, a word.
12                8teaiov, a8iKov: the Sik- root has already been mentioned (p. 54.14); rein­force it here.
3                       Strepsiades’ motive: to win the lawsuits brought against him. Note what we might consider an amoral approach, typical of the Athenian legal system: one tried not to establish one’s innocence, but to argue persuasively. The two might be the same, but the later fifth century manifested a dramatic growth of interest in the technique of persuasion, related of course to the development of the radical democracy, the Assembly and the lawcourts (cf. Sections 3c, 4a).
4                      5vo^a: cf. anonymous, synonym, pseudonym, onomatopoeia etc.
5                      KaAoi ... KayaOou for the qualities indicating moral goodness, see K. J. Dover, Greek Popular Morality (Blackwell, 1974) 45.
13                6/pov^: ochre is pale yellow or brown. The students are pale because they are always indoors and are therefore unhealthy, unfit etc.
avunod^Tou^: explain by reference to the roots av-, vno, Sera; the word here implies unkempt, scruffy.
27 dia^Oepei: this and EK^a^ra (p. 62.41) are the only examples of future tenses in -era in this section. Beware of overlooking these - many common verbs have stems in A, p, v, p (and -i^ra), e.g. pevra, KTeivra, aTeAAra, ayyeAAra (oAAupi) etc.
30                £ioefyi: eipi appears frequently in the next few lines: its meaning is clear from the context, but isolate and plot its morphology also. The second and third persons plural do not occur: note the stem shortening in the plural (cf. oiSa - revise its forms by setting it side by side with evpi in a grid. See GE pp. 433-4).
p. 62 line
57 If combinations of consonants have been explained at the end of Section 5c, use Koyra as the cue for revision - this will be needed for the weak aorist in Section 6a-b.
Learning how to find the lexicon form is even more important with the future than with the imperfect, especially where consonant changes in the stem occur of the rcpa^ra, noi^ara, PaAra type. The list of regular verbs on pp. 212-13 should be especially useful here. Use and if necessary add to them simple exercises, trans­forming from present to future, future to present, and exercises in finding lexicon forms, starting with the easier ones and progressing to the epsilon-contract (say). This will pay ample dividends, especially as weak aorists are just around the corner.
There is another advantage in spending a little time on simple exercises here. Since tenses come thick and fast, spreading the course a little so that one tense does not crowd in on the next is helpful.

Be aware also that GE for this chapter covers other important details apart from the tense formations: the significance of the middle (GE 124) and indefinite and interrogative adverbs (GE 125).

Section Four

A
Background
Walls of Athens 1.41; 2.23, 30-3 Farmer’s lot 2.11, 16; 5.51-2 Sea-power 7.3, 5; 1.40 Periclean policy 1.57 Beginnings of empire 1.49; 6.70ff.
Plague and suffering 1.57; 3.8-9; Thucydides andplague 8.42-3; 5.82; unpredict¬ability of gods 3.7-8
Grammar
npay^a, rc^0oc;, rco^ic;, rcpeaPuc;, aaxu; ev^p®v, xvc;, tic;, ovSevc;; rav (nom., acc.) Present participle active and middle (nom., acc.)
Verbs taking participles PaaiAevc; (nom., acc.)
Adjectives translated as adverbs Elision and crasis
The participle is crucial, first of ei^v, then of the active and middle generally. Since participles are extremely common in Greek, and have such a wide range of usages, it is essential that their forms are firmly fixed at this point. Set up a grid setting definite article + ^i^v, and definite article + xo^a against the new rav, ovaa, ov participle forms, e.g.
Nom. o A,^fv rav ^ TO^,a ouaa TO ov
Acc.
Gen.
Dat. xov ^eva ovxa x^v xo^av ouaav TO ov

Plurals similarly.
Review and fill in the two known nouns, then prepare to fill in the participles as they are met. Apply the same principle to KaKoSai^®v.
Middle participles are much easier: stress the comparison with Ka^oc; and point to -^ev-, the sign of a middle participle.
Other new accidence includes a further range of third-declension nouns (TEV%O;, rcpay^a, noli;). Again, compare these with li^v, but point up their -e- stems (giving e.g. Tei%ou; (-eo;), reixn (-ea)). This contraction of epsilon is a very important principle, already met with verbs, and is worth pointing out here.
CD
The whole of Section 4 is recorded on CD 2, tracks 29-32.
Commentary
p. 42 line
1 Herakles was most commonly invoked in times of (suspected) danger, for he had been human too, and he was invincible.
1 8afywv: a good starting point for comment on Greek religious thought. Our derivation word ‘demon’ is ‘black’, since we tend to view the world in the light of the Christian dualism of white/black, whereas Sai^rav in Greek is simply a god; the gods themselves were not good/bad, white/black - they were all a murky shade of grey. Here the idea of gods punishing mortals occurs, but stress that it is only an opinion offered. Most examples of divine punishment are of individual gods punishing individual mortals for specific offences against either them, their temples or their priests. So was there any such thing as a concept of sin (the usual word a^aprn^a means nothing more than a bad shot - you try, but miss)? Punishment as a result of ‘sin’ is elusive; Oedipus, for instance, was most dreadfully punished, yet the question ‘Whose fault?’ remains unanswerable, since all acted for what they thought was the best. Similarly, in Thucydides’ account of the plague - on which Section 4a is based - the writer’s underlying feeling that some force hostile to Athens is at work can be clearly felt, as it can explicitly here with the repetition of KaKoSai^rav in the text. Recommend students to read Thucydides ii.51-3 in translation.
1 Note KaKoSai^rav forms: ask the students to identify the cases and to say how they are formed.
2 y€ropyo^: cf. the synonym awoupyo; for its implicit comment on Greek ideas (see WoA 4.21 for the value Greeks placed on independence).
3 Pericles again: an anti-Pericles sentiment from the farmer. Read Thucydides
ii. 13-17 on the hardships imposed upon farmers by the evacuation of Attica. Stress here the diversity of attitudes towards both Pericles and the Peloponnesian War: Pericles advanced the mercantile and imperial interests of Athens (hence his popularity with sailors), to some extent without regard for the domestic problems caused by the war (hence Dikaiopolis’objections, vociferously given when he reaches the Assembly). Cf. Sections 3C 22-7, 11B 13ff.
p. 43 line
12 treat this as an oddity; there is no need for a full explanation (which
is given in Section 7D-F).
17-18 p^Twp ... ni0avo^: outstanding individual orators like Pericles could keep the confidence of the Assembly (which was composed in theory of all adult male citizens) over a period of many years, lending some consistency to policy. The question as to how many attended is thorny: probably those from outlying areas seldom came. Aristotle (Politics 1319a) specifically states that farmers neither attended nor wished to attend. Discuss how unrepresentative local political parties or trade union branches can be: those with the greatest interest attend, but their views may not be typical.
17 Euboia: perhaps we now know what Dikaiopolis was doing there, back in the first passage of the Course.
p. 44 line
21ff. Many more examples of rav ovaa ov occur. Ask students to identify what part they are, entering them on the grid, and varying translations according to context (‘when/since/as’ etc.). Stress the variety of possibilities after the literal translation ‘being’ in each case. Note the possible confusion (implicit always with the verb ‘to be’) between ‘being a farmer, he ...’ and ‘the farmer, being miserable ...’
23 ovoa^: students may need help to establish the feminine stem. The neuter does not appear though it can be deduced from KaKoSai^ov (p. 42.6); as all neuter plurals end in -a (except those which end in -n which are contracted from -ea), the plural can also be entered.
27-8 oAo^vpopai... xov £pov uiov: note the emotional involvement there and cf. Herodotus I.87: ‘No man is so stupid as to prefer war to peace, for in war fathers bury sons and in peace sons bury fathers.’ In Plato’s Hippias Major the Greek ideal is expressed as ‘to live in health and wealth, bury one’s own parents properly and be buried by one’s own children’. The worst thing was ‘to bury one’s own children’. Cf. further Herodotus - Solon’s choice of Tellos as the happiest of mortals; for a translation, see Text p. 227. Once again note the pragmatism of Greek thought: one produces children and looks after them on the assumption that they will return the compliment when one is old and possibly unable to look after oneself or earn one’s own living, naAiv yap av0iq navq o ynpaaKrav av^p (Sophocles, fr. 487.4).
Section Four B
Background
Death and burial 5.78-83 UPpiq 4.17
Need to respect the gods 3.39; 5.10, 82 
Human obligations 3.25-6 Pessimism about gods 3.23 The gods reciprocate 3.4; 3.24
Commentary
p. 45 line
2 AOYAOE: give the meaning, cf. Souloo^ai papw;: cf. baritone, barometer, isobar.
3 v€Kpo^: cf. necrophilia, necromancy.
9^pro: cf. (Latin) fero - Lucifer, Christopher.
10 ’v0pwrc€: note the aphaeresis (converse of elision) and the derogatory usage, cf. p. 10.19
11 Comment briefly on the exclamatory genitive; there are several examples in this section.
p. 46 line
18 o£p€i: link this with aaePeia; (Text p. 45.16). Also note the derivation Sebastian and ZePaaTo;, the Greek name for/translation of Augustus.
19 vo^ou^: cf. taxonomy, agronomy, nomothetic. This is the first mention of a concept which will become important later.
Cf. Aeschylus, Seven against Thebes 77: ‘A city that prospers honours its gods.’
21 foomp npopaxa: cf. our idiom ‘like flies’.
25- 7 For disasters calling even the existence of the gods into question, refer to Thucydides ii.51-3; cf. Euripides’ Antiope (?) fr. 853:
rpet; eiaiv aperal, ra; %pefflv O’ aoKetv, TEKVOV,
0eov; re Tip,av rov; re 0peyavra; yovei;, vop,ou; re Koivow; ‘EllaSo; Kai rafira Sprav Kalliarov s^ei; are^avov e^Klela; ael.
27 If the gods honour piety, why do the pious die alongside the impious? Read Theognis 373-82; cf. Euripides’ Skurioi fr. 684:
Tfflv Pporelrav ra; avra^aloi TO%ai. oi p,sv yap ew npaaaouai, rot; 8s cup^opai OKlnpai napeiaiv etiaePofiaiv ei; 0eov;,
Kai navr’ aKpiPra; Kani ^povrlSrav piov ofirra SiKalra; Zraoiv aio^uvn; arep.
28 ^xnp: cf. maternal, metropolis. nax^p: cf. paternal, patrimony, patronymic.
29 682190^: cf. Philadelphia, Christadelphians. The a- prefix here is not ‘neg¬ative’ but indicates ‘together-ness’, i.e. ‘together in the womb’ (Sel^v;). Cf. aloxo; (in bed with), and okoiti; (lying with), both = ‘wife’.
33 f^^poi: cf. ephemeral; explain the meaning from the elements. The young man himself is to be envisaged as in the incipient stages of the plague, hence his scepticism even in the face of a death that was regarded as a merciful release, cf. Aeschylus (?) fr. 466:
Zonc rcovnpfic 0avaio<; aipsTfflTspoi;. TO yevso0ai S’ eaxiv ns^uKsvai Kpsiooov KaKffl^ rcaa%ovxa.
33-5 Pindar, Pythian 8.135. Have a text of the original available - even more laconic and desperate than the version in the text here. ctkio, + ovpa (= tail) gives us ‘squirrel’.
p. 47 line
40 pfov: cf. biology, macrobiotic. Also amphibious.
Section Four C
Background
Altar of Twelve Gods 2.28 Supplication 3.35-6 Travelling 2.18 The Eleven 6.30-1 vnnpeTn? 5.63 K^pu^ 6.33-4 Sanctuary 3.37
Responsibility for suppliants 3.25
Commentary
p. 48 line
5 ^av0av€i: give the hackneyed translation ‘escapes the notice of’ to fix the basic idea of doing something unseen by or unbeknown to another.
Tp£/wv: even if students have not already been told that rav ovaa ov provides endings for the active participles, extract this information from them, confirming it by npoaTpexovTa in the next line. Enter this on the grid. (Note the suggested forms of translation in GE, pp. 85-6.)
6 aTonov: a- privative, totcoc; - topical, so Utopia (= ov, totcoc; - ‘no (such) place’). Carlyle (Sartor Resartus) uses ‘Weissnichtwo’, ‘Don’t know where.’
4 Why should the rhapsode suggest that he was Sov^oc; ? Could the supplicant not tell from his clothing? Possibly - but the ‘Old Oligarch’ (10-12) complains that in Athens it is no longer possible to tell a slave from a free man by clothing. Yet vase-painting, perhaps by convention, seems to differentiate. Most likely, the rhapsode is thinking of the number of runaway slaves during the war (as below on p. 56.6-7): cf. Thucydides VII.75, hoplites carrying their own supplies because of the number of slaves deserting.
5 68oircopo<;: both roots are known so the meaning should be deduced.
^aimrai: the verb has already been met: note that, where English uses an infinitive, Greek uses a participle.
12 op0w<;: cf. orthodontic, orthodox, orthography etc.
11 rcao^i: note the variety of translations and explain that the sense is not so violent as the English ‘suffer’. The basic meaning is ‘have an experience’. The phrase ‘Paschal Lamb’ derives not from Greek, but from the Hebrew for ‘Passover’.
12 iK€T€iav: cf. p. 24.14. The mediaeval concept of ‘sanctuary’ may perhaps be familiar. Cf. children’s games, where there is certain ground on which one cannot be ‘had’ or ‘tagged’.
17 K^pu^: the herald of the original (Xenophon, Hellenica ii.3.54-6) was the herald of the Thirty Tyrants, conveying their orders for the arrest of Theramenes. Theramenes had taken refuge at the altar, from which he was dragged away bodily by Satyros.
18 £v8€Ka: cf. hendecagon, hendecasyllabic. ‘The Eleven’ were chosen by lot, one from each tribe plus a secretary, to act as a kind of police force - executing orders for arrest, for example, and looking after the prison (see on p. 50.25-6).
90av€i: another awkward word. Translate it literally first, and then adapt. See GE 95 for suggested translations.
31-2 The quotation may be found in context in the Text 20f p. 260 207-8 p. 49 line
35 8uoxux^^: dyslexia, dyspepsia, dysentery, muscular dystrophy (all invalu¬able Greek stems) will fix the idea that Sua- indicates something unpleasant.
Section Four D
Background
Part-source of the story 3.36 npeaPeuT^q (pl. npEaPeiq) 6.32, 35 Desire for peace 7.5
Commentary
p. 50 line
6 Herodotus reports the Aeginetans as doing exactly this, VI.91.
25-6 npo^ TOV^ aAAou^ Aaradaipovfoui;: viz. Sea^ra^piov, though note that this was never a place of punishment. It was used for those awaiting trial, or execution (e.g. Socrates).
p. 51 line
43 v£^oi<; ^eya^n: cf. nemesis in English, and cf. the Herodotus extract in Text p. 230.1
44 npoyovou^: Theognis 731-42 complains about inherited guilt - the guilty get off scot-free, the innocent descendants suffer. The text here envisages the ^evoc; as being one of the ambassadors killed (through inherited ‘guilt’) by Athenians in Herodotus VII.133-7.
48 d^op^a: met only as ‘at-a-loss-ness’ so far. Explain the nop- root as ‘provi¬sions’, ‘resources’, and quote Epnopiov, ‘place with provisions’. This helps both here and later.
49-50 The quotation from Solon (written in elegiacs (NB pentameter first) as is most of his gnomic poetry) underlines the theme of the chapter. On the breakdown of law and order leading to the questioning of conventional standards of morality generally, see Thucydides (as on p. 46.26-7).
Supplementary exercises
Thorough revision of these nouns and participles is necessary. If you need to, transform nouns from case to case, from singular to plural and from plural to singular; it is important to add the definite article or owoc; o to nouns so that students get an idea of the nouns’ typical genders. To impress the idea of the definite article + participle = ‘the people who’, transform a series such as owov eiai ^ owoi oi ovTec as well as transforming cases, genders and number, and adding the appropriate forms of participle to nouns.

Section Three

A
Background
Source of this incident 2.24 Peloponnesian War 1.56-81 Beacon fires 2.20
Grammar
A,i^v, vauc;, Zeuc; OUTOC;, EKEVVOC;, Syra, au, noAtic, ^syac; (nom., acc.)
Ellipse of ei^v Negatives
The basic pattern of the third declension and the introduction of OUTOC; are the two most vital points. It may be best to treat third-declension nouns less fully than the morphology charts suggest and work towards a table such as this:
s. pl.
m.f. n. m.f. n.
Nom. * * -eq -eiq (-eeq) -a -n (-ea)
Acc. -a -n (-ea) * -aq -eiq -a -n (-ea)
Gen. -oq -ouc; (-eoc;) -oq -ouc; (-eoq) -fflV -fflV -fflV -fflV
Dat. -i -ei -i -ei -oi(v) -eoi(v) -ai(v) -eai(v)

Lay out the empty grid in full on the board at this point, but fill in only the forms met, leaving gaps for the genitive and dative to come (Sections 8 and 9). This table covers almost all the forms met (but students doing English-Greek will need more detail).
In Section 3A-E, concentrate on 3a nouns, i.e. those ending in *, -a (-oc;, -i), -ec, -ac, (-®v, -ai(v)). (a) Emphasize the stem change from the nominative to accusative, and alert them to av^p, avSp- and similar changes; (b) point out that, quite often, a long vowel in the nominative will be short in the stem, e.g. ^i^v, ^i^ev-.
ovxoc; needs a separate table. The endings are much the same as in the definite article. A good stem mnemonic is ovx- xoux-, avx- xaux-. Those doing English- Greek will need to be told that ovxoc; o is normal Greek. Two omissions should be added here: oSe, oSi (though these are glossed in the Vocabulary at the back of GE).
^eyac;, rcoMc; are also dealt with here. If learnt in the form ^eyac; (^eya^-), rcoMc; (TCO^-), all parts are easily recognizable. (NB: rco^a, has already been learnt in Section 1.1.)
CD
The whole of Section 3 is recorded on CD 1, tracks 24-8.
Commentary
p. 30 line
9 Ta nupa: cf. pyrotechnics, pyromania etc., and note (a) the neuter plural - it is necessary to point it out here, as ^ nupa appears in Section 4; (b) the use of fire beacons for rapid communication throughout the ages, from the Trojan Wars until very recent times.
21 8n^oi may cause trouble.
Section Three B
Background
Ships and hoplites 7.34ff.
Manning triremes 7.36-8 Slaves in battle 7.19
Commentary
p. 32 line
1 av8p€^: cf. android, androgynous.
7 ^£ya<;: cf. megaphone, megalomaniac etc.
p. 33 line
19 TporcroT^pa: a leather thong attaching the oar to the thole-pin (acting as a rowlock); the rower provided his own.
27 trcnp£oiov: a cushion, possibly tallowed underneath for comfort when sliding back and forth (see Dionysos’ complaints in Frogs 221ff.). Protarkhos is an armed soldier (enipdrn;). There would have been about ten of these on the trireme, usually ‘crack’ troops, plus four archers; they fought on deck. Polos is a rower. There were three banks of oars: the 0pavirn; on the top bench had possibly the longest oar and the highest pay, the Zuyirn; was on the middle bench, and the 0ala^irn; on the lowest, with the shortest oar and the lowest rate of pay.
Section Three C
Background
Spartan history 1.24-6; 38; 40-2; 46 The legend of Sparta 9.5-8 Periclean policy in war 1.57ff.
Pericles as aTparnyo; 6.23-7
Athenian sea-power and history 1.32; 6.70ff.; 7.36
Trierarchs 6.62; 7.43-6
Commentary
p. 34 line
8 Note the idiom: in English ‘I feel fear’, but in Greek ‘fear holds me’; it, not you, is in control.
9 For the rhapsode as aTparnyo;, cf. Section IH-J.
14-15 Fears of Spartan brutality: perhaps read from Thucydides II.67.
17 ^i^v^OKo^ai: stress ^vn- root; cf. mnemonic.
22 ^KK^noia: later used for a Christian assembly, hence ecclesiastical, French eglise. It means ‘called out’.
23 Pericles’ speech: Pericles advocated sea-power, which made him popular with sailors; farmers viewed him differently - see notes on p. 42.8, p. 134.13, p. 136.3.
24 Kpaxovoi: point to the -cracy suffix in autocracy, democracy, aristocracy, plutocracy etc.
p. 36 line
29 y€ropyou explain the two elements: yn + epyov (cf. Farmer George).
38-9 Imagine the confusion when a fleet had to be launched at night; crewmen had to reach the ships from all parts of the city, by torch light. 
Section Three D
Background
KEAEUCTT^C; 7.34, 46 Competition to get ship ready 7.45-6 Houses 2.7-8, 35-7; cf. 5.21 Deme-names 5.12
Commentary
p. 37 line
1 K€A£UOT^^: from keAeu®, because he gave time (= orders) to the rowers.
1 Watch the accent on ZHTEI - cf. ZnTev.
This is a good place to review imperatives.
10 The knocking scene is based closely upon several such in Aristophanes.
p. 38 line
31 Name and deme are normal methods of identification.
Section Three E
Background
Libations 3.28 Journeys 3.32; 7.46
Commentary
p. 39 line
10 On prayers cf. p. 16.8.
12 rcaAiv: cf. palinode, palindrome. Give an example of a palindrome.
Thucydides vi.3 1 -2 (around which this section of RG is based) gives further details on preparations for putting out to sea. It makes excellent background reading.
RG has now covered the basic essentials, i.e. present active and middle, and first, second and third declension nominative and accusative nouns and adjectives. Hence this is an important point at which to ensure that these fundamental points are firmly fixed. Also review outoc; very carefully. Note that there is a full contraction table in GE p. 409.
The next Sections (4-7) are heavily loaded with new accidence and syntax: if the foundation of Sections 1-3 is really firm, then the challenge of Sections 4-7 is more easily met.
Supplementary exercises
Transformation exercises on type 3a nouns are very important, as are expansion exercises using the definite article, especially with ovxoc; and EKevvoc;, since such exercises combine type 3 nouns with type 1/2 adjectives. Be warned: ovxoc; always causes trouble!

Section Two

A
Background
Persia and the Persian Wars 1.27-39 (esp. 16 - Salamis)
Rhetoric 8.18
Grammar
Present indicative active -o®
Present indicative and imperative middle -o^ai, -ao^ai, -eo^ai, Po^ arcopia, xo^a, vavxn? (nom., acc.)
Genitive plurals meaning ‘of’
Uses of the definite article
More prepositions (napa, era, 5ia + accusative)
It is probably best to treat the middle endings as something separate. If navra and rcavo^ai are both met, there are likely to be questions about the distinctions between them and these questions are not answered in the Course until Section 5. If an interim explanation is required, it is possible to call the middle ‘a sort of reflexive’ - acting on yourself or in your own interests. It is, however, essential to stress that many verbs have a middle form only, cf. deponent verbs in Latin for those who know that language. The contracted forms of middle verbs should cause no problems if the rules for contraction have been assimilated.
If time is short, it is possible to pass over the -ora contractions; only a handful of verbs are common, and they seldom present difficulties of recognition. Future prose-writers will of course need the rules.
As for first-declension nouns, the full rules for the occurrence of -a- or -n- will again only be needed by those who wish to do a substantial amount of English - Greek translation.
Set up a grid as follows, revising or reviewing the active forms in class and writing them in before reading the text and eliciting the middle:
1 navra navo^ai noisra noi£op,ai opara 0eaop,ai
2
3 etc.

Discussion
There is a great temptation to spend too much time on the background. Some comment upon the invasion of Xerxes is essential - refer to the map - and upon the difference between the two narratives: the vague generalizations and high rhetoric of the rhapsode (based on Lysias’ Epitaph written 150 years after the event), and the ‘facts’ of the captain (though his account contains few solid facts about the battle). He describes events from the viewpoint of the individual without any concept of overall strategy - the same, indeed, is true of the accounts given by Aeschylus and Herodotus, on which the captain’s account is based.
CD
The whole of Section 2 is recorded on CD 1, tracks 20-3.
Commentary
p. 22 line
1 ppa8£w<;: ask for the part of speech.
£p/€Tai: ensure that the students distinguish the stem, and the ending. Then elicit the equivalent form of navo^ai (nav-ETai) and write it on the grid (if this verb is used as a pattern).
2 aXX^Xoui;: translate this, and fix the meaning by waiting for napa in line 3 and showing that nap’ a^n^a (ypa^axa = lines) gives ‘parallel’.
3 ^8£w<;: ask for the part of speech; cf. hedonist.
8iaX£yovTai: ensure the stem and ending are correctly split (this is not so difficult, since ^ey® has already been met). Use ‘dialogue’ to work towards the correct translation; comment again upon the vowel change ^ey-/^oy- (cf. note on p. 6.15).
4 8i£p/€Tai: cf. ‘I’ll go through the main points again.’
5 y^yv^Tal may have to be given, as also xa, Mn5iKa. Persia had been a province of Media; the rise of Cyrus and the growth of Persia led to the overthrow of the Median Empire. The Greeks still used ‘Medes’/‘Persians’ almost synonymously - compare the way the Persians in Aeschylus’ Persai and elsewhere used ‘Ionians’ for Greeks.
6 ^a/ovTai: use the picture to prompt guesses. toX^moi: usually guessed as ‘do’; accept, and modify it.
7 orcoooi mrcrouoiv: ask what you would want to know about a battle, e.g. ‘Who won?’ The right questions may guide students towards the idea of casualties.
10 p^TopiKa: elicit ‘rhetorical’ and establish the exact meaning in English.
11- 12 Note carefully xa nepi la^a^vva (rcpay^axa) as a very common idiom.
p. 23 line
8 v^oo^: What was Salamis? Locate -vna- in some names, e.g. Peloponnese, Dodekanese, Polynesia, Melanesia etc.
15 ^€T£pav: ask for the part of speech (%- stem).
ToX^av: refer back to Text p. 22.6. Important note: these references can apply to the Text, as here; or to the notes, on that place in the Text, in these Teachers’ Notes.
15 pappapoi: anyone who could not speak Greek and seemed therefore to utter nonsense-noises (bar-bar), cf. ‘talkrhubarb’ (fromriver Rha + barbarus, foreign).
16 icaoiv: the third person plural of ov5a first appears in the text here; it should be familiar from the Test Exercise.
18 KaXXioTov: try to take the meaning on from Ka^oc;: does -iax- suggest something? (apiaxoc;, ^a^iaxa.) rcofei: review and reinforce the difference between this and noiev here.
Section Two B
Background
Balanced, Gorgianic style 8.20 Use of ^ev ... 5e 8.10-11 Sacrifice 3.28ff.
Supplication 3.35-6 vPpic; 4.17
Commentary
p. 24 line
1 Much needs to be given here (except ©ea, cf. theology - noting, however, the feminine ending). The invocation to the Muse, goddess of memory, was to ensure the poet got right the facts relating to adventures long ago (it is nothing to do with ‘inspiration’ in our sense). It became a long-lasting poetic convention. It is worth giving the students the opening lines of the Iliad both for comparison, and for first acquaintance with the rhythm of the Homeric hexameter.
1 anopovoi: anope® is always hard to translate. Once the idea of ‘not know what to do’ (with no direct English verbal equivalent, although phrases ‘be flummoxed’ and ‘be in a quandary’ come close) is established, point out that this is a very useful verb. (NB: a + nop- = ‘no resources’ is at the root of it.)
^opowrai: cf. claustrophobia, hydrophobia, agoraphobia etc.
3-10 Many words are here which have been met before but not yet learnt (e.g. KvSuvoq, 0uma, eu%o^ai) - mostly from Text p. 16. Refer back to find the meanings. 10 aya0ov ... £teu0Epia: this use of the neuter = ‘a good thing’ is very common.
9 5oai: cf. Onocoi (Text p. 22.7).
10 iK£T£iai will need explanation, supplication not being a modern concept. The central idea is that the suppliant formally puts himself or herself at the mercy of someone else - human or divine - and thereby sets up a relationship which obliges the one supplicated to offer something in return, e.g. protection, victory etc.
17 rcaTp^8a: elicit the idea of ‘father’, and ‘fatherland’ should follow.
18 vppiv: not pride but (i) violence, aggression and (ii) intentional humiliation. rcX,^0o<;: cf. plethora.
Section Two C
Background
Herodotus and history 8.41-2 Aeschylus’ Persians 8.49, 60 Religion and patriotism 3.44; 5.83 ayrav and competition 4.1-2
Commentary
p. 26 line
1 ov8£v X&yEi: explain the literal meaning and give an appropriate idiom, e.g. ‘ He is talking rubbish! ’
7 yEu8^: cf. pseudonym and the numerous pseud- compounds. 
10 Eala^ivo^axn?: elicit the meaning from the elements. Note the pride in the epithet, cf. Mapa0ravo^a%n; (Text p. 136.7).
17 ^ou$av £/w: the vocabulary translates this as ‘keep quiet’. Add not ‘keep silent’, but more ‘take things easy, settle down, calm down, keep a low profile’ etc.
p. 27 line
17 £v0a Kai £v0a: it is best simply to give the meaning.
18 a^a £w: this can be deduced by reference to vv^ earlier.
19 oalniy^: see the picture. Salpinx is also used as an anatomical term for a tube, e.g. Eustachian and Fallopian.
^/€i: tell students to transliterate the first person singular of this verb and watch their surprise!
20 TOTp&v: some may know that Peter means ‘rock’ or ‘stone’, so they may easily guess this (refer to Matthew 16:18 if they do not). Mention also petrify, petrology etc., and perhaps add that petrol (neTpo; + oleum) also derives from it (as being found in subterranean deposits of rock).
25- 7 Aeschylus, Persai 402-5. Show students the original text.
26 yuvaiKa^: cf. gynaecology.
ayrav: cf. protagonist, agony (the final struggle before death).
Section Two D
Background
Interventions of the gods 3.7-10 Sea-battles 7.34ff.
Salamis 7.39
Greek unity 1.37, 1.33, 46ff.
Greek cram; 4.16
Use of past to throw light on present 8.28
Commentary
p. 28 line
2 0€axai: ask what you do in a theatre (cf. audience - audio). Discuss the different design of modern theatres.
2 ^atvexai: prompt the meaning via ‘phenomenon’.
5 KOO^M: cosmos = the ordered state of the universe; cosmetic = something which produces an ordered state of the face. The opposite of KOC^O; is %ao; (= void).
6 xa^iv: cf. taxidermy (= arranging, not stuffing, skins). For derm- cf. hypo¬dermic, pachyderm.
9 oi ^£v ... oi 8£: stress as ‘some ... others’, as given in vocabulary Two D p. 29
19 ^xapo^: cf. metabolism and other ^exa- compounds indicating change (metathesis, metamorphosis etc.).
20 opovoowiv: elicit by contrast with ^Roi, then explain the constituents, viz. o^o- and vovc;, cf. homeopathy, homogeneous, homonym etc. Homosexuals are not necessarily men!
pioowiv: cf. misogynist; explore the ^iao- root further.
Supplementary exercises
Transformation exercises from active to middle and back, singular to plural and so on, are useful. It is also worth giving the feminine definite article a thorough revision with the new feminine nouns, so an expansion exercise here will help, as well as transformations of the definite article + noun. Work on, e.g., ^ arcopia, o vauxn? especially.
When you are dealing with the present tense, any verb from the learning lists will be suitable, whether regular or not. There is a list of irregular verbs by section on p. 149 of these Notes.

Section One J

1 Tfi/vn: cf. technique, technical.
5               apiOTO^: cf. aristocracy. Perhaps anticipate ideas about vo^oc; and ^vaic; by discussing the notion that noble birth = superiority.
15 Note the use of Socrates as a verb - ‘you’re Socrateasing me’; compare Cratinos’ usage Evprni5apiaxo^av(Z® (Cratinos PCG iv.342).
13              Note naT5ec from the nai5- root.

The rhapsode’s claims sound ridiculous, but try to use the episode to discuss the enormous authority accorded to Homer and the still persistent feeling that reading a book by a hallowed expert transfers some of that hallowed expertise to the reader. How far can this be taken?
 

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